Appels à communication de la RSA.

La Renaissance Society of America met en ligne une série d’appels à communications émanant de chercheurs américains et européens, ainsi que leur coordonnées pour les contacter. La majorité des appels ont expiré ; Panurge publiera les programmes des conférences.

Les thèmes sont :

– The Venetian Stato da Mar (Diana Wright)

– Urbi et Orbi : Representations of historical events in Venice (Renzo Baldasso)

– Humour in Early Modern Spain (Jose Rico-Ferrer)

– New Departures : Developments in Irish Education in the Sixteenth and Seventeenth Centuries (Benjamin Hazard)

– Domestic Intimacy in Early Modern Italy (Deanna Shemek)

– Early Modern Horror (Maria H. Loh)

– Global Romance (Elizabeth Bearden)

– Gendering Female Authority (Maria Rothstein)

– Human Movement in the Renaissance City (Nicolas Eckstein)

– Dangerous Substances (Elly Truitt)

– Open Session on Shakespeare (Phil Collington)

– Emulation, Tradition and Identity in Renaissance Music (Michael O’Connor)

– Emblematic Contexts (Mara Wade)

– Strange Bedfellows : Milton and Seventeenth-Century Women Writers (Margaret Reeves)

– Society for Emblem Studies : Emblematic Readers & Emblematic Pages (Tamara Goeglein)

– Heterogeneity of Italian Renaissance Drama (Kristin Phillips Court)

– La Fiducia : Trust Relationships in Renaissance Europe (Ricardo Court)

– Thinking and the Stage : Cognition and English Renaissance Drama (Timothy Zajac)

– Lucretius and the Renaissance (James Snyder)

– Masculinities (Kirk Read)

– Towards a Revaluation of Campanella’s Work (Peter Carravetta)

– Minor Artists of the Italian Renaissance (Norman Land)

– Relics and the Renaissance (Timothy B. Smith)

– Unacceptable Art : Rejected Commissions in Early Modern Italy (Jonathan Nelson)

– Regions and Regionalism in Early Modern France (Katherine Maynard)

– Protestant Depictions of Catholicism in Elizabethan and Jacobean Literature (Horacio Sierra)

– Renaissance Theories of Vision (Charles H. Carman)

– “l’abbiam fatta tutti e tre.” Collaboration and Identity in the Carracci School (Opher Mansour & Xavier Salomon)

– Social Relations in the Italian Palace (Eleonora Canepari)

– Renaissance Rulers Construct Identity I, II, III, IV (Sarah Blake McHam)

– Age and Life Passage Rituals in the Italian Domestic Interior (Maria DePrano)

– State Portraiture in the European Renaissance (Evelyn Lincoln)

– The Communication of Appearances : Dress and Identity in the Early Modern World (Gabriel Guarino)

– Connecting the Renaissance Senses : Image - Space - Text - Music (Marlene Eberhart)

– Early Modern Women’s Manuscripts (Elizabeth Hageman)

– The Politics of Education in the Renaissance (Julian Koslow)

– Ethics and Economics in Early Modern Literature (Jim Kearney)

– John Webster (Margaret Owens)

– Learning and Culture in Renaissance Bologna (David A. Lines)

– The Medici Between Florence and Rome : Art, Power, and Cultural Politics (Linda A. Koch)

– Classical Traditions in English Histories and Geographies (William Stenhouse)

– Plants, Gardens and Meaning (Jim Ellis)

– New Technologies and Renaissance Studies (Ray Siemens)

– La Celestina in its European Context (Josemaria Perez-Fernandez)

– Courts and Religion (Malcolm Smuts)

– Italian Courts and their Impact on European Court Culture (Malcolm Smuts)

– The Mapping and Forging of New Trans-Atlantic Worlds (Horacio Chiong Rivero)

– Representations of Religion “as practiced” and Popular Culture in Literary Texts of Early Modern Spain (Christina Lee)

– East and West in the Holy Land 1500-1713 (Judy A. Hayden)

– Painting, Painters, and Patrons in Quattrocento Rome (Angi Elsea Bourgeois)

– The Renaissance Commonplace Book : Form and Function (Thomas Fulton)

– Genre, Imitation, Parody (Dorothea Heitsch)

– Violence as Performance in Renaissance Art, Drama and Urban Experience (Christina Neilson and Allie Terry)

– Francesco di Giorgio Martini (Berthold Hub)

– Erasmian Humanism (Kathy Eden)

– Renaissance Ambivalence (Molly Murray)

– Family affairs : kinship and society in Renaissance Italy (Jennifer DeSilva & Catherine Fletcher)

– Constructing Marginality in Renaissance Art (Meghan Hughes)

– The Ideal and the Utopian in Renaissance Architecture and Architectural Theory (Berthold Hub)

– Hebrew Sources of the Renaissance (Zinguer Ilana)

– Montaigne and skepticism (Lodi Nauta)

– Women and Health in the Early Modern Period (Valeria Finucci)

– Renaissance Virtues (Aaron Spooner)

– On the Irrelevance of Painting (Lisa Kirch)

– Renaissance Art Crime (Noah Charney)

– Raphael (Jodi Cranston)

– Scholarly Ethics & Historical Fiction (Noah Charney)

– Perspectives on Love in Renaissance Philosophy (Jason Aleksander)

– Italian Renaissance Comedy (Massimo Scalabrini)

– Global Renaissance, Local Histories (Sean Roberts and Cristelle Baskins)

– Renaissance Nothings (Wendy Hyman)

– Reasons to write in the french Renaissance (Corinne Noirot-Maguire)

– Italian Renaissance Villas and Gardens (Cristelle Baskins)

– Renaissance Halls of State (Patricia L. Reilly)

– The Sidneys and Internationalism (Margaret Hannay)

– Lady Mary Wroth (Margaret Hannay)

– New Approaches to Portraiture in Baroque Europe (Tod Marder)

– Portraiture and Renaissance Venice (Sandra Sider )